Official website for the inaugural season of work for the Kenneth Branagh Theatre Company. The Winter's Tale, with Kenneth Branagh and Judi Dench. From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes The Winter's Tale Study Guide has everything you need to ace quizzes, tests, and essays. Official website for the inaugural season of work for the Kenneth Branagh Theatre Company. The Winter's Tale, Shakespeare's timeless tragicomedy of obsession and redemption. The Winter's Tale is a play by William Shakespeare, originally published in the First Folio of 1623. Although it was grouped among the comedies, some modern editors have relabelled the play as one of Shakespeare's late. Dolphin Tale 2: About the Movie In the first ever, sequel to a true story, Dolphin Tale 2 is the story of Hope. Harry Connick Jr., Ashley Judd, Nathan Gamble, Cozi Zuehlsdorff, Kris Kristofferson, Morgan Freeman, Juliana. Winter's Tale: Entire Play. ACT ISCENE I. Antechamber in LEONTES' palace. Enter CAMILLO and ARCHIDAMUSExeunt. SCENE II. A room of state in the same. Enter LEONTES, HERMIONE, MAMILLIUS, POLIXENES, CAMILLO, and Attendants. Aside. Exeunt POLIXENES, HERMIONE, and Attendants. Exit MAMILLIUSAside. Exit. Re- enter POLIXENESExeunt. ACT IISCENE I. A room in LEONTES' palace. Enter HERMIONE, MAMILLIUS, and Ladies. Enter LEONTES, with ANTIGONUS, Lords and others. Exit HERMIONE, guarded; with Ladies. Exeunt. SCENE II. A prison. Enter PAULINA, a Gentleman, and Attendants. Exit Gentleman. Re- enter Gentleman, with the Gaoler. Exeunt Gentleman and Attendants. Exit Gaoler. Re- enter Gaoler, with EMILIAExeunt. SCENE III. A room in LEONTES' palace. Enter LEONTES, ANTIGONUS, Lords, and Servants. Exit Servant. Enter PAULINA, with a child. Laying down the child. Exit. Exit with the child. Enter a Servant. Exeunt. ACT IIISCENE I. A sea- port in Sicilia. Enter CLEOMENES and DIONExeunt. SCENE II. A court of Justice. Based on true events, Dolphin Tale is an inspiring family film about the bond between animals and humans, as it tells the story of Winter, a young dolphin who loses her tail in a crab trap and Sawyer, the introverted, 11-year. Industry information at your fingertips. Over 200,000 Hollywood insiders. Enhance your IMDb Page. Bekijk alle artikelen waarvan de titel begint met Winter's tale of met Winter's tale in de titel. Enter LEONTES, Lords, and Officers. Enter HERMIONE guarded; PAULINA and Ladies attending. Exeunt certain Officers. Re- enter Officers, with CLEOMENES and DIONEnter Servant. HERMIONE swoons. Exeunt PAULINA and Ladies, with HERMIONERe- enter PAULINAExeunt. SCENE III. A desert country near the sea. Enter ANTIGONUS with a Child, and a Mariner. Exit. Exit, pursued by a bear. Enter a Shepherd. Enter Clown. Exeunt. ACT IVEnter Time, the Chorus. Exit. SCENE II. The palace of POLIXENES. Enter POLIXENES and CAMILLOExeunt. SCENE III. A road near the Shepherd's cottage. Enter AUTOLYCUS, singing. Enter Clown. Grovelling on the ground. Exit Clown. Sings. Exit. SCENE IV. The Shepherd's cottage. Enter FLORIZEL and PERDITAEnter Shepherd, Clown, MOPSA, DORCAS, and others, with POLIXENES and CAMILLO disguised. To CAMILLOMusic. Here a dance of Shepherds and Shepherdesses. Enter Servant. Exit Servant. Enter AUTOLYCUS, singing. SONGExit with DORCAS and MOPSAFollows singing. Exit. Re- enter Servant. Exit. Here a dance of twelve Satyrs. To CAMILLOTo FLORIZELDiscovering himself. Exit. Exit. Drawing her aside. They talk aside. Re- enter AUTOLYCUSCAMILLO, FLORIZEL, and PERDITA come forward. Seeing AUTOLYCUSAside. Aside. FLORIZEL and AUTOLYCUS exchange garments. Giving it to PERDITAExeunt FLORIZEL, PERDITA, and CAMILLORe- enter Clown and Shepherd. Takes off his false beard. Exeunt Shepherd and Clown. Exit. ACT VSCENE I. A room in LEONTES' palace. Enter LEONTES, CLEOMENES, DION, PAULINA, and Servants. To LEONTESEnter a Gentleman. Exeunt CLEOMENES and others. Re- enter CLEOMENES and others, with FLORIZEL and PERDITAEnter a Lord. To FLORIZELExeunt. SCENE II. Before LEONTES' palace. Enter AUTOLYCUS and a Gentleman. Enter another Gentleman. Enter a third Gentleman. Exeunt Gentlemen. Enter Shepherd and Clown. Exeunt. SCENE III. A chapel in PAULINA'S house. Enter LEONTES, POLIXENES, FLORIZEL, PERDITA, CAMILLO, PAULINA, Lords, and Attendants. PAULINA draws a curtain, and discovers HERMIONE standing like a statue. Music. HERMIONE comes down. The Winter's Tale - Wikipedia. Act II, scene 3: Antigonus swears his loyalty to Leontes, in an attempt to save Leontes' young daughter's life. From a painting by John Opie commissioned by the Boydell Shakespeare Gallery for printing and display. The Winter's Tale is a play by William Shakespeare, originally published in the First Folio of 1. Although it was grouped among the comedies. Some critics consider it to be one of Shakespeare's . The Winter's Tale was revived again in the 1. In the second half of the 2. The Winter's Tale in its entirety, and drawn largely from the First Folio text, was often performed, with varying degrees of success. Characters. Illustration was designed for an edition of Lamb's Tales, copyrighted 1. Following a brief setup scene the play begins with the appearance of two childhood friends: Leontes, King of Sicilia, and Polixenes, the King of Bohemia. Polixenes is visiting the kingdom of Sicilia, and is enjoying catching up with his old friend. However, after nine months, Polixenes yearns to return to his own kingdom to tend to affairs and see his son. Leontes desperately attempts to get Polixenes to stay longer, but is unsuccessful. Leontes then decides to send his wife, Queen Hermione, to try to convince Polixenes. Hermione agrees and with three short speeches is successful. Leontes is puzzled as to how Hermione convinced Polixenes so easily, and Leontes suddenly goes insane and suspects that his pregnant wife has been having an affair with Polixenes and that the child is a bastard. Leontes orders Camillo, a Sicilian Lord, to poison Polixenes. Camillo instead warns Polixenes and they both flee to Bohemia. Furious at their escape, Leontes now publicly accuses his wife of infidelity, and declares that the child she is bearing must be illegitimate. He throws her in prison, over the protests of his nobles, and sends two of his lords, Cleomenes and Dion, to the Oracle at Delphi for what he is sure will be confirmation of his suspicions. Meanwhile, the queen gives birth to a girl, and her loyal friend Paulina takes the baby to the king, in the hopes that the sight of the child will soften his heart. He grows angrier, however, and orders Paulina's husband, Lord Antigonus, to take the child and abandon it in a desolate place. Cleomenes and Dion return from Delphi with word from the Oracle and find Hermione publicly and humiliatingly put on trial before the king. She asserts her innocence, and asks for the word of the Oracle to be read before the court. The Oracle states categorically that Hermione and Polixenes are innocent, Camillo an honest man, and that Leontes will have no heir until his lost daughter is found. Leontes shuns the news, refusing to believe it as the truth. As this news is revealed, word comes that Leontes' son, Mamillius, has died of a wasting sickness brought on by the accusations against his mother. Hermione, meanwhile, falls in a swoon, and is carried away by Paulina, who subsequently reports the queen's death to her heartbroken and repentant husband. Leontes vows to spend the rest of his days atoning for the loss of his son, his abandoned daughter, and his queen. Antigonus, meanwhile, abandons the baby on the coast of Bohemia, reporting that Hermione appeared to him in a dream and bade him name the girl Perdita. He leaves a fardel (a bundle) by the baby containing gold and other trinkets which suggest that the baby is of noble blood. A violent storm suddenly appears, wrecking the ship on which Antigonus arrived. He wishes to take pity on the child, but is chased away in one of Shakespeare's most famous stage directions: . Camillo, now in the service of Polixenes, begs the Bohemian king to allow him to return to Sicilia. Polixenes refuses and reports to Camillo that his son, Prince Florizel, has fallen in love with a lowly shepherd girl: Perdita. He suggests to Camillo that, to take his mind off thoughts of home, they disguise themselves and attend the sheep- shearing feast where Florizel and Perdita will be betrothed. At the feast, hosted by the Old Shepherd who has prospered thanks to the gold in the fardel, the pedlar Autolycus picks the pocket of the Young Shepherd and, in various guises, entertains the guests with bawdy songs and the trinkets he sells. Disguised, Polixenes and Camillo watch as Florizel (under the guise of a shepherd named Doricles) and Perdita are betrothed. Then, tearing off the disguise, Polixenes angrily intervenes, threatening the Old Shepherd and Perdita with torture and death and ordering his son never to see the shepherd's daughter again. With the aid of Camillo, however, who longs to see his native land again, Florizel and Perdita take ship for Sicilia, using the clothes of Autolycus as a disguise. They are joined in their voyage by the Old Shepherd and his son who are directed there by Autolycus. In Sicilia, Leontes is still in mourning. Cleomenes and Dion plead with him to end his time of repentance because the kingdom needs an heir. Paulina, however, convinces the king to continue his penance until she alone finds him a wife. Florizel and Perdita arrive, and they are greeted effusively by Leontes. Florizel pretends to be on a diplomatic mission from his father, but his cover is blown when Polixenes and Camillo, too, arrive in Sicilia. The meeting and reconciliation of the kings and princes is reported by gentlemen of the Sicilian court: how the Old Shepherd raised Perdita, how Antigonus met his end, how Leontes was overjoyed at being reunited with his daughter, and how he begged Polixenes for forgiveness. The Old Shepherd and Young Shepherd, now made gentlemen by the kings, meet Autolycus, who asks them for their forgiveness for his roguery. Leontes, Polixenes, Camillo, Florizel and Perdita then go to Paulina's house in the country, where a statue of Hermione has been recently finished. The sight of his wife's form makes Leontes distraught, but then, to everyone's amazement, the statue shows signs of vitality; it is Hermione, restored to life. As the play ends, Perdita and Florizel are engaged, and the whole company celebrates the miracle. Despite this happy ending typical of Shakespeare's comedies and romances, the impression of the unjust death of young prince Mamillius lingers to the end, being an element of unredeemed tragedy, in addition to the years wasted in separation. Sources. Shakespeare's changes to the plot are uncharacteristically slight, especially in light of the romance's undramatic nature, and Shakespeare's fidelity to it gives The Winter's Tale its most distinctive feature: the sixteen- year gap between the third and fourth acts. There are minor changes in names, places, and minor plot details, but the largest changes lie in the survival and reconciliation of Hermione and Leontes (Greene's Pandosto) at the end of the play. The character equivalent to Hermione in Pandosto dies after being accused of adultery, while Leontes' equivalent looks back upon his deeds (including an incestuous fondness for his daughter) and slays himself. The survival of Hermione, while presumably intended to create the last scene's coup de th. Greene follows the usual ethos of Hellenistic romance, in which the return of a lost prince or princess restores order and provides a sense of humour and closure that evokes Providence's control. Shakespeare, by contrast, sets in the foreground the restoration of the older, indeed aged, generation, in the reunion of Leontes and Hermione. Leontes not only lives, but seems to insist on the happy ending of the play. It has been suggested that the use of a pastoral romance from the 1. Shakespeare felt a renewed interest in the dramatic contexts of his youth. Minor influences also suggest such an interest. As in Pericles, he uses a chorus to advance the action in the manner of the naive dramatic tradition; the use of a bear in the scene on the Bohemian seashore is almost certainly indebted to Mucedorus. There are numerous parallels between the two stories . If this theory is followed then Perdita becomes a dramatic presentation of Anne's only daughter, Queen Elizabeth I. Date and text. In spite of tentative early datings (see below), most critics believe the play is one of Shakespeare's later works, possibly written in 1. Arden Shakespeare editor J. H. P. The tangled speech, the packed sentences, speeches which begin and end in the middle of a line, and the high percentage of light and weak endings are all marks of Shakespeare's writing at the end of his career. But of more importance than a verse test is the similarity of the last plays in spirit and themes. Tannenbaum wrote that Malone subsequently . Hunter assigned it to about 1. The title may have been inspired by George Peele's play The Old Wives' Tale of 1. The Steward announces that the members of the court have gone to Paulina's dwelling to see the statue; Rogero offers this exposition: . Further, Leontes is surprised that the statue is . Paulina answers his concern by claiming that the age- progression attests to the . Hermione swoons upon the news of Mamilius' death, and is rushed from the room. Paulina returns after a short monologue from Leontes, bearing the news of Hermione's death. After some discussion, Leontes demands to be led toward the bodies of his wife and son: . More influential was Thomas Hanmer's 1. Bohemia is a printed error for Bithynia, an ancient nation in Asia Minor. At the time of the medieval Kingdom of Sicily, however, Bithynia was long extinct and its territories were controlled by the Byzantine Empire. On the other hand, the play alludes to Hellenistic antiquity (e. As Andrew Gurr puts it, Bohemia may have been given a seacoast . Herford is suggested in Shakespeare's chosen title of the play. A winter's tale is something associated with parents telling children stories of legends around a fireside: by using this title, it implies to the audience that these details should not be taken too seriously. However, Shakespeare again copied this locale directly from .
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